Overview
Tim Maher / Professional Photographer
Email: tim@timmaher.com
Phone: +358 (0)41 501 2526
Insta: @maher.tim
Below I have selected a collection of work that best shows how clients are utilising my skillsets today. In this featured selection, the clients range from a huge multinational corporation to a local company looking to expand their market share. The common denominator is their decision to choose a professional photographer to enhance their image.
With each project, there is a short introductory text that helps explains the steps that went into the process. If you would like to see more work, you can go to the main Portfolio page to view particular projects. Alternatively, if you have an idea already in mind, you can contact me directly and I will put together a more specific presentation. As always, I'm here to help.
Featured Work
A selection of projects showing my strong points
Early Work
Some of my favourites from the back catalogue
Portrait project
A selection of Portraits from the Sports Hall project
Shooting portraits usually involves working with people who are not used to being placed in front of the camera and being made the centre of attention. A lot needs to happen in a short space of time and getting the subject's trust is the key to a successful result.
Advertising
A selection of Advertising work
The job may start with great pre-production, finding the right location... but the most important element is always what happens in front of the camera. Since I mainly shoot people, my best Advertising work always involves getting a great performance from the talent, no matter their age group.
Fashion: Studio
A selection of Studio work
Knowing your lighting helps. Having the right team around you makes it better. Getting the performance you're looking for from your model might just mean you'll achieve something special.
Fashion: Location
A selection of editorial work
There may not be much depth to Fashion but there’s a lot of surface and my years shooting in the field have made me an expert at lighting faces and spaces. And with so much to do when shooting an editorial fashion story, you learn to move fast and work quickly.